KMI K-MIX helps happening hip-hop, rap, and experimental sound design trio clipping. command stagecraft!

Keith McMillen Instruments is proud to announce that happening hip-hop, rap, and experimental sound design trio clipping. is making much use of the company’s K-MIX next-generation audio interface and programmable mixer to help break down musical barriers by bringing its paired noise and power electronics- inspired tracks to suitably captivated audiences…clipping. formed in Los Angeles in 2009, initially conceived as a remix project by beat-makers William Hutson and Jonathan Snipes, but began in earnest when the dynamic duo later joined forces with rapper Daveed Diggs, building both on their long friendship and shared obsession for rap, experimental music, and genre fiction that remains central to their technologically creative and compelling fusion.

Getting those tools and that avant-garde approach to sound cool onstage is where clipping. collectively comes into its own, as audiences to their upcoming tour support slot for American alternative psychedelic rockers The Flaming Lips will witness.

Working with unsympathetic FOH sound engineers in new environments is uncool, clearly. Cooler still, though, the recent addition of Keith McMillen Instruments’ innovative K-MIX, a next-generation audio interface and programmable mixer housed in an indestructible casing with no moving parts, played a major role in helping clipping. to meet those technical challenges head on.

Surely songs from the likes of clipping.’s latest release — 2016’s Splendor & Misery (available on Sub Pop and Deathbomb Arc) — have never sounded so good when transported to a KMI-supported stage setting? Clearly, K-MIX is one for the road… just ask Jonathan Snipes!

K-MIX carries an MSRP  is available to purchase from any authorised Keith McMillen Instruments dealer or directly from Keith McMillen Instruments itself here. 

For more in-depth information, please visit the dedicated K-MIX webpage here.

Author: Andrei Alice
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